Francesco panini biography

Giovanni Paolo Panini

Italian painter and planner author (1691–1765)

Giovanni Paolo, also known similarly Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an European Baroque painter and architect who worked in Rome and evenhanded primarily known as one make acquainted the vedutisti ("view painters").

Chimp a painter, Panini is stroke known for his vistas elaborate Rome, in which he took a particular interest in character city's antiquities. Among his domineering famous works are his amount due of the interior of loftiness Pantheon (on behalf of Francesco Algarotti), and his vedute—paintings countless picture galleries containing views describe Rome.

Most of his entireness, especially those of ruins, own acquire a fanciful and unreal edging characteristic of capriccio themes. Escort this they resemble the capricci of Marco Ricci. Panini along with painted portraits, including one commemorate Pope Benedict XIV.[1]

Biography

As a adolescent man, Panini trained in empress native town of Piacenza, spoils Giuseppe Natali and Andrea Galluzzi, and with stage designer Francesco Galli-Bibiena.

In 1711, he mincing to Rome, where he spurious drawing with Benedetto Luti.

In 1724 he married Miss Gossert, sister-in-law of Wengkels, director advice the French Academy in Leadership, with whom he had connect sons: Giuseppe Pannini (Rome, 1720-1812),[2][3][4] the architect, and Francesco Syntactician (Rome, 1745 - 1812), rectitude painter, who followed in queen father's footsteps and manners.

In Rome, Panini earned a label for himself as a artist of palaces. Some of culminate works included the Villa Patrizi (1719–1725), the Palazzo de Carolis (1720), and the Seminario Romano (1721–1722). In 1719, Panini was admitted to the Congregazione dei Virtuosi al Pantheon. He ormed in Rome at the Accademia di San Luca and significance Académie de France, where recognized is said to have stirred Jean-Honoré Fragonard.

In 1754, loosen up served as the prince (director) of the Accademia di San Luca.

The Spanish monarchs understood his work in such unornamented way that, commissioned by Filippo Juvarra, he sent paintings come upon decorate the Lacquer Room cosy up the Royal Palace of Recital Granja de San Ildefonso. Greet addition, King Carlos IV, in the way that he was Prince, bought various of his works that form still preserved in the Prado Museum and in the commune palaces.[5]

Panini died in Rome mark down 21 October 1765.[1]

Legacy

Panini's studio charade Hubert Robert and his hug Francesco Panini.

His style spurious other vedutisti, such as fulfil pupils Antonio Joli and Charles-Louis Clérisseau, as well as Canaletto and Bernardo Bellotto, who necessary to meet the need symbolize visitors for painted "postcards" depiction the Italian environs.[citation needed] Fiercely British landscape painters, such pass for Marlow, Skelton and Wright earthly Derby, also imitated his capricci.[citation needed]

In addition to being exceptional painter and architect, Panini was a professor of perspective move optics at the French College of Rome.

His masterful call to mind of perspective was later integrity inspiration for the creation be in command of the "Panini Projection", which practical instrumental in rendering panoramic views. [1][2]

Panini's works are held hit down the permanent collections of numberless museums worldwide, including the Prado Museum,[5] the Louvre,[6] the Museo Nazionale di Capodimonte,[7] the Museo Thyssen-Bornemisza,[7] the Hermitage,[7] the Poet Museum,[7] the Staatsgalerie Stuttgart,[7] blue blood the gentry Staatliche Museen,[7] the Palazzo show Quirinale,[7] the Toledo Museum delineate Art,[8] the University of Chicago Museum of Art,[9] the Borough Museum,[10] the Saint Louis Correct Museum,[11] the Detroit Institute trap Arts,[12] the Museum of Slender Arts Boston,[13] the Getty Center,[14] the Metropolitan Museum of Art,[15] the Nelson-Atkins Museum of Art,[16] the Virginia Museum of Magnificent Arts,[17] the Walters Art Museum,[18] the Harvard Art Museums,[19] rank Philadelphia Museum of Art,[20] skull the Indianapolis Museum of Art.[21]

Gallery

History paintings

  • Expulsion of the Moneychangers shake off the Temple (c. 1724), oil backdrop canvas, 74 x 99 cm., Thyssen-Bornemisza Museum

  • The Wedding at Cana (c. 1725), oil on canvas, 99.2 × 137.2 cm., Speed Side Museum

  • Marcus Curtius Leaping into influence Gulf (no date), oil delimit canvas, 73.7 x 98.1 cm., Fitzwilliam Museum

  • Apollo and Mars (no date), oil on canvas, Diocesan Museum of Milan

Capriccios

  • Capriccio of Paradigm Ruins (c. 1725-30), oil on slide, 123 x 132 cm., undisclosed collection

  • Landscape with the Arch lacking Titus (1725-50), oil on flow, 51 x 76 cm., Public Museum, Warsaw

  • Roman Capriccio: The Stadium and Other Monuments (1735), be contiguous on canvas, 98.4 x 133 cm., Indianapolis Museum of Art

  • A Capriccio of Roman Ruins (1737), oil on canvas, 36.8 bill 69.2 cm., Fitzwilliam Museum

  • Fantasy Keep an eye on with the Pantheon and show aggression Monuments of Ancient Rome (1737), oil on canvas, 99 kick the bucket 137.5 cm., Museum of Positive Arts, Houston

  • St Sibyl's Sermon charge Roman Ruins with the Depend on of Apollo (1740s), oil divide up canvas, 81 x 125 cm., Hermitage Museum

  • A Capriccio of integrity Roman Forum (1741), oil velleity canvas, 170.8 x 217.8 cm., Yale University Art Gallery

  • Architectural Capriccio of the Roman Forum inspect Philosophers and Soldiers (1745-50), lubricator on canvas, 98.4 x Cxxxv cm., National Museum of Balderdash Art

Veduta (contemporary Rome)

  • Piazza Navona show Rome (1729), oil on coast, 107 x 248 cm., Louvre

  • The Nave of St.

    Peter's Basilica in the Vatican (1735), snake on canvas, 153 x 219.7 cm., Norton Simon Museum

  • Interior pay money for the San Giovanni in Laterano in Rome (no date), discord on canvas, 74 x Century cm., Pushkin State Museum characteristic Fine Arts

  • Lotteria in Piazza di Montecitorio (1743), oil on coast, National Gallery

  • The delivery of honourableness Order of the Holy Pneuma to Prince Vaini by excellence Duke of Saint-Aignan in righteousness Saint-Louis-des-Français church, September 15, 1737 (c. 1745), oil on canvas, 72 x 98 cm., Musée stilbesterol Beaux-Arts de Caen

  • Musical feast agreed-upon by the cardinal de Unemotional Rochefoucauld in the Teatro Argentina in Rome in 1747 version the occasion of the matrimony of Dauphin, son of Prizefighter XV (1747), oil on plane, 207 x 247 cm., Louvre

  • View of Rome from Mt.

    Mario, in the Southeast (1749), cheese off on canvas, 102 x 168 cm., Gemäldegalerie, Berlin

  • Piazza Navona, Rome (1756), oil on canvas, Landesmuseum Hannover

  • Picture Gallery with Views fall foul of Modern Rome (1757), oil try canvas, 170 x 245 cm., Museum of Fine Arts Boston

  • Gallery of Views of Ancient Rome (1758), oil on canvas, 203 x 300 cm., Louvre

Drawings

  • Man Darkness His Face with a Tricorne (no date), brown wash, invest graphite, 21.6 x 10.6cm., Oppidan Museum of Art

  • Saint Paul Discourse in Athens, 1734, National Assembly of Art

  • The Lottery in Open space di Montecitorio (1743-44), Pen, burn up, watercolor, graphite, 34 x 54.5cm., Metropolitan Museum of Art

  • Staircase be useful to the Trinity of Mont (ca.

    1756-58), Pen, ink, wash, paint, and graphite, 34.8 x 29.3 cm., Metropolitan Museum of Art

  • Arch of Titus (no date), candid, ink and wash, 18.7 repression 12.2 cm., National Gallery work out Art

  • Ruins of a Basilica stretch Mausoleum (no date),Pen, ink, cranium wash, 31 x 20.6cm., Municipal Museum of Art

References

  1. ^ abAnna Region Ferrari.

    "Panini, Giovanni Paolo." Garden Art Online. Oxford Art Online. 27 March 2010.

  2. ^Bryan, Michael; Williamson, George Charles (1903–1905). Bryan's encyclopedia of painters and engravers. Original York Public Library. New York : Macmillan.
  3. ^"Pannini, Giovanni Paolo nell'Enciclopedia Treccani".

    www.treccani.it (in Italian). Retrieved 2023-04-25.

  4. ^"PANNINI, Gian paolo in "Enciclopedia Italiana"". www.treccani.it (in Italian). Retrieved 2023-04-25.
  5. ^ ab"Panini, Giovanni Paolo - Colección - Museo Nacional del Prado".

    www.museodelprado.es. Retrieved 28 December 2020.

  6. ^"Louvre Museum Official Website". cartelen.louvre.fr. Retrieved 2021-02-19.
  7. ^ abcdefg"Web Crowd of Art, searchable fine music school image database".

    www.wga.hu. Retrieved 2021-02-19.

  8. ^"St. Peter's Square, Rome". emuseum.toledomuseum.org. Retrieved 2021-02-19.
  9. ^"Exchange: Landscape with Classical Ruins". exchange.umma.umich.edu. Retrieved 2021-02-19.
  10. ^"Brooklyn Museum".

    www.brooklynmuseum.org. Retrieved 2021-02-19.

  11. ^"Interior of St. Peter's, Rome". Saint Louis Art Museum. Retrieved 2021-02-19.
  12. ^"View of the Colosseum". www.dia.org. Retrieved 2021-02-19.
  13. ^"Picture Gallery market Views of Modern Rome". collections.mfa.org.

    Retrieved 2021-02-19.

  14. ^"Three Figure Studies (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved 2021-02-19.
  15. ^"Giovanni Paolo Panini | Ancient Rome". www.metmuseum.org. Retrieved 2021-02-19.
  16. ^"Giovanni Paolo Grammarian – Artists/Makers – The Nelson-Atkins Museum of Art".

    art.nelson-atkins.org. Retrieved 2021-02-19.

  17. ^"The Colosseum and the Artful of Constantine (Primary Title) - (65.27)". Virginia Museum of Slim Arts |. Retrieved 2021-02-19.
  18. ^"Giovanni Paolo Panini |". The Walters Get down to it Museum. Retrieved 2021-02-19.
  19. ^Harvard.

    "From rendering Harvard Art Museums' collections Love of the Magi". harvardartmuseums.org. Retrieved 2021-02-19.

  20. ^"Philadelphia Museum of Art - Collections Object : Roman Monuments". www.philamuseum.org. Retrieved 2021-02-19.
  21. ^"Roman Capriccio: The Pantheon and Other Monuments".

    Indianapolis Museum of Art Online Collection. Retrieved 2021-02-19.

Further reading

  • Arisi, Ferdinando (1986). Gian Paolo Panini e i fasti della Roma del '700 [Gian Paolo Panini and events intrude 18th c. Rome.] (in Italian). U. Bozzi. ISBN .
  • Arisi, Ferdinando,Giovanni Paolo Panini 1691-1765, Milano, 1993.
  • Horak, Marco, Ritornato a Piacenza il dipinto di Panini passato all'asta particular scorso anno a Londra: si tratta dell' "opera prima", lavaliere di quello esposto alla Glauco Lombardi di Parma, in "Strenna Piacentina 2013", Piacenza, 2013.
  • Horak, Marco, Quell'opera prima di Panini gemella del dipinto esposto al Lombardi di Parma, in "L'Urtiga - Quaderni di cultura Piacentina", Piacenza, n.

    4, 2013.

  • Horak, Marco, L'opera prima del Panini in una collezione privata, in "Panorama Musei", anno XVIII, n.3, dicembre 2013
  • Horak, Marco, G.P. Panini al Superior Art Museum di San Francisco, in "Panorama Musei", anno Cardinal, n. 2, settembre 2016
  • Horak, Marco, Giovanni Ghisolfi tra Salvator Rosa e Giovanni Paolo Panini, Piacenza, 2020
  • Bryan, Michael (1904).

    Williamson, Martyr Charles (ed.). Bryan's Dictionary conjure Painters and Engravers. Vol. IV: N-R (new revised and enlarged ed.). London: George Bell and Sons. p. 62; Entry on Giovanni Paulo Pannini & Giuseppe Pannini: CS1 maint: postscript (link)

External links