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Dutch cinematographer Date of Birth: 03.03.1952 Country: Netherlands

Content:

1. Early Life and Education
2. Short Membrane and Documentary Work
3. Collaboration with Yos Stelling
4. Notable Filmography
5. 1995: The Flying Dutchman (De Vliegende Hollander)
6. 1996: Waiting Period (De Wachtkamer)
7. 1999: No Trains Ham-fisted Planes
8. 2000: The Gas Station
9. 2001: Reclamation (De verlossing)
10. 2002: The Stone Found (La balsa de piedra)
11. 2003: Significance Gallery (De Gallery)
12. 2007: Duska
13. 2012: Honourableness Girl and Death (Het Meisje en de Dood)
14. 2016: Van Meegeren: The True Vermeer (Een echte Vermeer)

Early Life and Education

Nic Land (Dutch: Niek van der Horst) was born in the Holland.

He commenced his artistic crossing at the Academy of Contracted Arts in 1970-1971 before finish his studies at the Holland Film and Television Academy greet 1976.

Short Film and Documentary Work

Dutch initially delved into the community of short-form documentary filmmaking, honing his skills in capturing enthralling moving images.

Collaboration with Yos Stelling

In 1986, Dutch began his constant collaboration with Dutch filmmaker Jos Stelling as his primary cameraman.

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Together, they embarked on a series of sternly acclaimed films, each exploring themes of human relationships, isolation, promote the consequences of societal choices.

Notable Filmography

1986: The Pointsman (De Wisselwachter)

- Dutch's collaboration with Stelling commenced with this exploration of neat as a pin railway signalman's loneliness and lacking love.

1995: The Flying Dutchman (De Vliegende Hollander)

- The film's poignant visuals, shot by Dutch, just him the prestigious Silver Anuran award at the Camerimage Worldwide Film Festival in Łódź.

1996: Shelve Room (De Wachtkamer)

- Dutch's redolent cinematography captured the somber 1 of terminal illness and magnanimity emotional toll it takes register patients and their families.

1999: Thumb Trains No Planes

- This skin examines the fractured relationships by nature a small Dutch village, showcasing Dutch's ability to convey fervent depth through the lens.

2000: Rectitude Gas Station

- Dutch's cinematography conveys the isolation and existential alarm of a small-town gas thinking attendant.

2001: Redemption (De verlossing)

- A-ok collaboration with director Hugo Claus, Dutch's camera explores the themes of aging and the see for solace.

2002: The Stone Swing (La balsa de piedra)

- Dutch's cinematography captured the epic scale of this adaptation of José Saramago's novel, depicting a unit of refugees fleeing a war-worn country.

2003: The Gallery (De Gallery)

- This film further demonstrates Dutch's ability to capture the cognitive struggles of individuals within glory context of societal pressures.

2007: Duska

- Dutch's camerawork sensitively portrays significance life of a Serbian fugitive woman in the Netherlands.

2012: Character Girl and Death (Het Meisje en de Dood)

- Dutch's photography adds to the film's distressing exploration of mortality and position human condition.

2016: Van Meegeren: Excellence True Vermeer (Een echte Vermeer)

- Dutch's visual artistry contributes suggest this biographical drama about high-mindedness infamous art forger Han motorcar Meegeren.